8168

i don't have the thing for any new film recently. looking through many stories, some of them may be good if i give them more thought, but it just doesn't grasp me. sometimes i get a little kick for a day of two, but it doesn't last long. and it needs to last hell long for an animator.



there is one story i originally thought of as live action, but i think it may be interesing in animation as well. kind of 'romance', but without love really. interesing? i may talk it through with Bruce (meaning: i would talk and talk and she would drink tea or irn bru not necessarily listening, but simply talkin would make me realise what works and what doesn't. i can do it without Bruce really, but it makes me feel more insane to talk clearly to myself. i need her around as an excuse).
then, i wanted to so stop motion for a while, but it doesn't feel like stop motion at all.

my computer's falling apart as well. that sucks.

the film i'm working on right now, it's more of some experimental play than a film really. and i find myself well random when the big question (delivered by the devil himself - Alan Mason) arrives: "WHY?".
why - behind every little choice i make.
in this particular project i would say - "why not?".
that seems to be an answer for a while.
it isn't really.
it's more of an excuse.
i may try to use it for time being, simply because i seem unable to find any answers recently. but i won't give up.